I'm such an avid magazine reader - music, art, beauty magazines - and I found that food and restaurants were pouring into everything I cared about. Whether it was the pop-up concept, or some mysterious mini-mall restaurant, I got swept up in the sexy romance of the food movement.
Great dad. Yeah, he would ask me for money on birthdays and, you know, inappropriate times. And I just wrote him off like, 'You're not a father.' I just learned you cannot emotionally invest in people who are not attainable.
Whatever I've experienced in my life is a part of my story, and I'm proud of that. But it's someone who wakes up early, works all day, believes in charitable work, business-minded, diligent, accountable, problem-solving... I'm so much about school, consistency and tradition.
There's a tremendous difference between alone and lonely. You could be lonely in a group of people. I like being alone. I like eating by myself. I go home at night and just watch a movie or hang out with my dog. I have to exert myself and really say, oh God, I've got to see my friends 'cause I'm too content being by myself.
I don't mind a little Sturm und Drang. When I was doing 'Riding in Cars With Boys,' I wouldn't smile at anybody, because my character, Bev, was angry at the world. I'm the opposite. Inside my head I'd be like, God, I'll explain to you at the end of shooting that I'm not this person.
Becoming emancipated at 14, my life wasn't normal. I didn't have to go to school, so I didn't. I was rebellious by nature. I spent my 20s focusing on my company, Flower Films, and producing movies. Now that I'm almost 30, I would like to try other things in lie. I'm crazy about photography, and I want to take an art history class.
You can't live your life blaming your failures on your parents and what they did or didn't do for you. You're dealt the cards that you're dealt. I realised it was a waste of time to be angry at my parents and feel sorry for myself.
I remember being on film sets when I was younger, and only men got to do the cool action movies. So I thought, 'Maybe I'll get to produce one day and get to do cool stuff, too,' which is what happened when we did 'Charlie's Angels'.
I remember being on film sets when I was younger, and only men got to do the cool action movies. So I thought, 'Maybe I'll get to produce one day and get to do cool stuff too,' which is what happened when we did 'Charlie's Angels.' Starting my production company was a big turning point for me.
I think happiness is a choice. If you feel yourself being happy and can settle in to the life choices you make, then it's great. It's really, really great. I swear to God, happiness is the best makeup.
I still, at hotel rooms, I do this one sort of not-so-cool thing: continually shoving my room service tray in front of someone else's door. Because I don't want the remnants. I don't want to be caught, like, being like the pig that I was at two in the morning.
My mother used to dress rather risque when I was a kid, and that sort of shocked me. I always thought moms were supposed to wear cardigans and flats, but she was in leather bracelets and minidresses. In hindsight, it was pretty cool, but I'm probably more conservative because of it.
I grew up in a family that was multifaceted, sexually oriented, and pretty much open to everything. And because I was working, my friends were all adults. I had a tough time going to different schools because people knew me from films and I was the fat child who got beaten up every day.
Oh, I would love to be a motivational speaker. I have pulled myself out of a million potholes, and I can see the potholes ahead of me. That doesn't mean that I could always do that so perfectly for my own life. I totally fall in potholes.
I appreciate my journey, but I don't want that for my kid. Not any of it. It has nothing to do with whether I liked my childhood. I really did. But as a parent, that isn't the childhood that I'd provide.
It's not just about acting. I love film, I'm a director now, I love writing, I love producing, I love having a company that makes films and to be prolific and have a place to put all the ideas that are constantly bubbling up inside of me and that don't let me sleep at night.
You're not supposed to look perfect while you're making babies. Making babies is the perfection. It's about feeling good in clothes and knowing you can get dressed up in the evening, work it for a minute, and maybe get back in a certain pair of jeans. But there's just no such thing as perfection.
I think some of the funniest and most artistic people I know are the ones who had a hard time at school. They often have humility and artistry. So, as much as I feel bad for kids who have to go through a rough childhood, I believe that if they can turn it around, it's going to make them better people later on.
I really have created a family. I work with the people I love, I travel with them, I make films with them, and I'm in an office with them. So in a weird way - I know I haven't birthed a child - I feel that I'm a part of creating a family. It's a tribe. I love that word.
The stories that I want to tell, especially as a director, don't necessarily have a perfect ending because, the older you get, the more you appreciate a good day versus a happy ending. You understand that life continues on the next day; the reality of things is what happens tomorrow.
Producing is so exciting because you can enable things to happen, whether it's like discovering a filmmaker who you're taking a chance on, protecting a battle and driving home at the end of the day just going, 'I'm so glad I stayed late at work and fought hard for that. Had my passion. Won that battle.'
I feel like some of my baby fat is going away, and that's not just physically, it's psychologically. I think that your body is in tune with your mind and your spirituality and your heart. If things are going better, I just think you look better.
When you're young, you're always wondering when you're actually going to feel like a grownup. And I think you probably fear it, in a sense, too. There's a danger to feeling like an adult... like this whimsical kid in you is going to die or something. And then all of a sudden, one day you kind of feel like an adult and it's really nice.
I've always said that one night, I'm going to find myself in some field somewhere, I'm standing on grass, and it's raining, and I'm with the person I love, and I know I'm at the very point I've been dreaming of getting to.
At 35, I'm definitely starting to feel more like a grown-up than I ever have. There's nothing in my life that is childish or whimsical. Having fun is fantastic and I never want to lose a sense of that - and also, I think, you have to have that to put into your work or else it's going to feel stiff.
I've always been a homemaker, like, I like creating spaces. Even if I stay in a hotel, I'll unpack, I'll put my books out, I'll put my camera out, I'll throw a sweater over the lamp to get better light. I am a homemaker.
I mean, I come from a hippie mentality where I just think to know someone, you need to look into their eyes. Eyes are so important. Until they start melon-balling eyes out, I won't be able to get to know someone another way.
I personally battled with my own body image for years. I used to tell myself, You can't wear anything sleeveless or strapless. And all of a sudden I was like, What if I just didn't send such negative messages to my brain and said, wear it and enjoy it? And now I'm more comfortable in clothes than ever.
Being a Barrymore didn't help me, other than giving me a great sense of pride and a strange spiritual sense that I felt OK about having the passion to act. It made sense because my whole family had done it and it helped rationalise it for me.
I don't even have voice mail or answering machines anymore. I hate the phone, and I don't want to call anybody back. If I go to hell, it will be a small closet with a telephone in it, and I will be doomed and destined for eternity to return phone calls.
When I was a kid, I got really great advice from someone who is so important to me and someone who I respect so much, and they told me, 'Don't do too many endorsements. Don't throw your name on things; think of your longevity.'
I think that we all have to have that rite of passage of dating the tortured artist who seems cooler than we think we are; we aspire to be like them, and we're excited that somebody is turning us on to new music or a new lifestyle.
I guess I do have a childlike sense of fun, and although I still have my dark days, I'm generally an optimistic person. The way things have gone in my life, sure, I could have been a bitter person. But I just find bitter people really un-fun, you know? And who wants to be that person?
There are a lot of us little gypsies out there that need to go and find another place you know. A safer, healthier or just a different venue in order to develop and find ourselves. I am so lucky to live the life that I do.
I hate flatscreens. I don't want to see anything in that much pixilation. I don't need to see the pimple on someone's face. I love the world through glass. The more old, dusty and tainted that glass is, the prettier and more impressionistic that is to me. I don't need to see everything perfectly. I don't like it.
There are so many pressures that are put upon young women. Whatever we can do to alleviate that and help women feel beautiful about who we are inside, which is the only beauty there truly is, is so nice. Let's get down and dirty. Let's be a real girl.
There's a big world out there. Bigger than prom, bigger than high school, and it won't matter if you were the prom queen or the quarterback of the football team or the biggest nerd. Find out who you are and try not to be afraid of it.
No matter what the genre, I want to see me and my friends. I want to see reality. I want to see what we're really like. I loved Bridesmaids. I thought it was the most honest portrayal of female friendship in such a long time.
I love inventive food, but I want the classic dishes to taste like how I remember them. I get a little bummed out when there is too much fancy stuff going on and it doesn't resemble the original dish at all.
I love roller coasters that make my stomach drop. One ride in Las Vegas, the Big Shot, straps you into a row of seats and catapults you into the air from the top of the Stratosphere Tower - then plummets back down. I ride it over and over; it's exhilarating.
Indecision is the most unsexy thing on the planet. I don't know if I'm sexy but I think decisiveness is sexy. I also lose trust and faith in them when I realise I'm a bit on my own and that's a very disheartening feeling.
I just think happiness is what makes you pretty. Period. Happy people are beautiful. They become like a mirror and they reflect that happiness. If somebody walks in the room and they're drop-dead gorgeous and sexy, it's really fun to look at. But if someone is giving of their spirit and they make you laugh and feel good, that's a whole other level of beauty.
School feeding not only fills stomachs, but has a proven track record of boosting enrollment, attendance and academic performance. For just pennies a day per child, this program changes lives - and ultimately can impact the futures of poor countries around the world in a profound way.
I understand there are inevitable things that we have to go through: heartbreak, family problems. I don't feel like some Quixotic idiot who says, 'We don't have to feel pain.' No! Let's feel it, let's make it work for ourselves. But I want us all to be able to get past it.
I know what the intimidation level of high school is. You're on a hamster wheel, running, running, running, trying so hard to fit in. It's all about how you deal with what you're given, feeling OK with being the odd man out before you're finally successful.
When [my friend] had her kid, she was like, "9:30?! I'm not living in Barcelona. I need dinner at 6." I never got that until now. Four years ago, when I met her, I thought that was extreme. I was like, "I love Barcelona!" Now, I'm so mad when someone suggests an 8 pm reservation because that means we won't eat until 8:30 or 9 pm. Forget it!
Sometimes you come to a point where there's nothing more you can do. You love and respect each other, but it's not working. So you amicably decide to part. I don't know what the future holds: a lot of people get back together after they break up.
I loved the world of roller derby because I thought it was such an empowering metaphor, that you get out there and do it. It's such a rocker, athletic, capable, cool exhibitionist sport; it's about this great sort of camaraderie.
I want to be with the man who wants to open a movie studio with me and make films for new, fresh filmmakers who aren't getting a chance somewhere else. I haven't yet had that type of partnership in a romantic relationship.
When it comes to business, I am a woman, and when it comes to relationships, I am a child. I just haven't figured out how to bring the same confidence and conviction I have in the boardroom to my romantic relationships.
I never have been insecure, because I see what a waste it is. I know there is a solution to insecurity. I don't tend to be thrown by problems that don't have solutions. And insecurity has a wealth of alternatives.
I'm not a very organized person for being uber work-obsessed. I struggle to keep it all organized because everything can become important and, when you have so many spinning plates, they sometimes can cancel each other out because you lose track of everything.
Sometimes get lost in the white noise of people's anger and being super adamant on one side or the other. And what fails to happen is that you actually aren't disseminating the information that you want to get across to these people.
My twenties were about exploring love and being a wildflower and trying to figure everything out. Now I'm not comfortable being that happy wildflower anymore, but I still don't feel like a woman. I wonder when that moment's going to hit.
I cannot live a life where I'm deprived. I'd much rather be five, 10 pounds heavier. With my luck, I'll get myself to that perfect goal weight, and I'll get hit by a bus. Then I'll be like... looking at myself from some afterlife going, 'You idiot. You could have had that agnolotti, dummy.'
If you're not prepared, and you're not passionate, and you don't push yourself to a level of human exhaustion on every level, mentally and physically and creatively... I've seen directors who approach it casually, and they do somehow maintain better hours... but I could never be that guy. I am up and editing all night.
I have to say, if someone literally said to me, 'You're going off to a desert island, what is the one thing you would bring?' I would say, 'It's my concealer or you can just kill me now.' I've thought this through! Because I would find, like, berries in a bowl and make blush.
When I did 'E.T.,' it sort of solidified the only family I know are these film crews. These gypsies. These filmmakers. That was the solidification and the clicking revelations of 'This is what I want to do with my life and this is where I'm going to survive.'
I've produced and gotten to do a lot of optimistic love stories, and that was so where I was at for 10 years in my life. And now I feel like, Okay, now I know how to do that. I want to get scared again; I want to feel the way I felt when I started my company, when I started producing.
My therapist says I still haven't got in touch with my anger. Maybe one day I'm going to explode. But I'm still really happy. I know it looks like a strange and painful upbringing - all those experiences led me to the paths that I'm on now.
The people I grew up around who I really liked were quick on the draw. It always just wowed me. And my mum would make weird funny comments. I can see in myself her self-deprecating, hippie humour. I can't take myself too seriously.